• Camera,  Random

    Film is Not Dead

    Well, if you shoot with Polaroid it might be.
    But if you’re into Medium Format rangefinders, Fuji might be releasing something of interest.
    All I know is that its still a viable photographic option for me, and as long as film is being made, and negatives being processed, I’ll keep shooting away.
    Recently a friend and I started up a film camera club for a bit of fun. It’s surprising how many people still shoot film, and the vast range of equipment that is used. I find it really interesting when you compare it to the DSLR market dominated mostly by Canon and Nikon. People are shooting film on Olympus, Leica, Pentax, Ricoh, Mamiya, Praktica, etc… A vast array of camera brands and types (SLR’s, rangefinders, TLR’s, etc) all producing unique and wonderful results. It’ll be a big loss to photography in general when these types of cameras cannot be used anymore, and the only option to take photos is on homogenised plastic objects that are superseded as quickly as they are released. Don’t get me wrong, there is nothing wrong with the concept of digital cameras. The issue is when everyone is using the same equipment or technology, you have less variables to utilise in your creative output and things just begin to look the same.
    Anyway, enough of the rant.

    I saved a new camera today. Picked up an OM2 in “non working” condition for dirt cheap. The best bit was bringing it home and getting it working in less than 3 seconds (just needed to reset the mirror position). I now have a nice new OM2 in perfect working condition, and near perfect cosmetic condition. I just need to glue down the camera leather a bit, or replace it completely. Thinking of covering it in some exotic pattern/colour and giving it to my girlfriend.. Decisions decisions.
    Here’s a quick picture of it below. EDIT: pic not working. Will re-upload shortly.

  • Camera,  Olympus,  Tech/Repairs

    Olympus Trip 35 Age Explanation

    The humble little Olympus Trip 35 was built between 1968 and 1984. That’s an impressive life span for a camera that remained mainly unchanged during its lifespan.

    Want to find out how old yours is? The best way to discover the age of your Olympus Trip 35 isn’t by looking at its top plate serial number as some people mention from time to time, but by looking under the film pressure plate. It’s a very simple process and will only take a few minutes.

    First of all you need to remove the pressure plate attached to the film door. It’s the black rectangle object in the centre of the film door you can see in the picture below.

    olympustripage1

    To take it off you need to slide the metal tabs off the black pins attached to the film door. Do this one side at a time by pushing the metal tab inwards using either your fingers or a flat edged screwdriver. Once you release one side, sliding out the other side is easy and now you can fully remove the pressure plate.

    olympustripage2

    Now that the the plate off you can easily view the characters printed underneath, these will accurately tell you the age of your camera. The photo below shows that date stamping of one of my cameras that we’ll be using as an example :

    olympustripage3

    As you can see, there are 3 characters. A Japanese character and two numbers.
    This is how to read it :

    • 1st character – The plant it was manufactured in,
    • 2nd character – The last digit of the year of assembly. (so “3” = 1973, “9” = 1979, “0” = 1980, etc..),
    • 3rd character – The month of assembly. (1 – 9 signifies January – September. Then X,Y,Z is for October – December).

    Now the observant among you would of noticed that if you had “82” on the pressure plate it could either be February 1968 or February 1978. The way to find out what decade it belongs to is by looking at the shutter button. If it’s the chrome variety you have the earlier model, if it’s the black plastic variety you know you have the later model. I have included a photo below showing the two different types of shutter buttons. The chrome/older variety on the left, with the newer plastic shutter button on the right.

    Other age identification details:

    • The first black plastic shutter button models started in the second quarter of 1978.
    • Earlier models had ASA 25 – 250, the latter 25 – 400.
    • In 1969 and 1970 Olympus also produced a number of black bodies with black metal shutter buttons. *These demand a higher price but beware of fakes. One way of checking could be cross referencing the manufacturer year and if it doesn’t wall within ’60 or ’70 you may have a fake. This won’t work of course if they repainted a model from either of these two year but it’s a good start.

    olympustripage4

    So based on all of this information I can conclude my camera above was built in March 1973. My other trip’s were built in ’69 ’74 and ’76. If you can find one from the 60’s it’s probably worth hanging onto as they’re a little more scarce. Wait a minute, who am i kidding? ALL Olympus Trips are worth hanging onto!!

    *New addition! I’m the happy owner of this lovely original Olympus Trip in black paint. I think this is one of the best looking cameras Olympus ever made.

    bltrip

    Feel free to share the age of your Olympus trip in the comments section below.

  • Photos,  Random

    12″ x 8″ Prints…

    For 10 cents each!!
    A forum member was offering a special on their printing service, so I had to take advantage of it.
    I got 50 prints which came to a massive total of $5. Yes, 50 12″x8″ prints for $5! 😀
    Now I just need to figure out what to do with them. I’m looking for ways to display some of them on a wall, no luck yet though.

    printsxn9qy5

  • Australia,  Film,  Olympus,  Photos,  Sydney

    Circular Quay

    I love my little 1 cent Olympus Trip!
    I just got some photos back today that I took over the weekend, and I’m quite happy with them. One thing I’m not happy about though is my scanning of them, it’s quite poor, so I’m thinking of investing in a dedicated scanner or at least getting the lab to do it.

    Anyway, these were taken in and around Circular Quay on an extremely sunny day. The glare was insane, and I was pretty worried about how the photos would come out. Luckily they came out pretty good in most cases (better than the digital scan shows also), but I’d like to go back on a day that has some better light for photography. Here are some that I’ve scanned so far (still have half a roll to go).

    EDIT: Some images have been corrupted so were removed from this post. Will re-upload them shortly.

    222843782434e6fd3ff6oxe9

    2228438228257d165199oae6

    2228438308_db55446a56_o

  • Film,  Reviews

    Bad Photo Labs

    Lesson learnt. Don’t waste time with cheap and nasty photo labs.

    All of this happened to me about a week or two ago, but I’ve only got around to writing about it now. I shot a few new rolls and thought I’d try out a little photo lab just a few hundred metres from where I live. I thought “Wouldn’t it be nice to have a local photo lab”.

    HOW WRONG I WAS…

    I dropped the film off, told them not to rush as I’d pick it up the next day. All seemed fine. Went in the next day to pay and receive my photos. As I was walking home I opened the packet up and started looking at my photos. ** First mistake – must always check photos before leaving store!

    Looking at the photos I could tell immediately that thing just weren’t right.
    With one of the rolls in particular I made a special note that I was experimenting with a few lighting effects etc and largely testing the camera. So asked them not to adjust low/high key photos for example. If something is dark, leave it dark. They said this was fine, no problem at all… Maybe I was speaking in another language because they totally ignored what I asked. When I got my photos back it seems as though the machine has tried to compensate automatically as a bunch of prints were completely off, like they’ve just pumped up the exposure compensation setting. Anyway, I don’t want to go in to any more detail, but basically I just wish if people couldn’t do something they just say it. I have absolutely no problem with that.

    Ok, not the end of the world right? I still have the negatives yeah?
    Yes and No.
    Yes as in, I do have the negatives. But no as in, they aren’t exactly “intact”.
    You see, to go along with the terrible prints, I have some negatives that have been cut up collage style. The photo below is an example of what I mean.

    badlab

    You can see this one shot has been cut so about 1/4 is missing. Obviously I’m not going to pretend they’re ruined an amazing image but this is just one image out of a few I’ve noticed so far and I’m not happy. Honestly, I don’t know how they did this. maybe they asked the blind work experience kid to cut the negatives that day. Even still…

    I don’t know what else to say beside the fact I’m never going back to this place again. I’m just glad I didn’t have anything particularly important on the film. A cautionary tale. Don’t make the same mistake as me!